{"id":12331,"date":"2018-06-03T17:01:45","date_gmt":"2018-06-03T17:01:45","guid":{"rendered":"http:\/\/dinnews.in\/?p=12331"},"modified":"2018-06-03T17:01:45","modified_gmt":"2018-06-03T17:01:45","slug":"writing-is-a-lonely-and-thankless-job-ritesh-shah","status":"publish","type":"post","link":"https:\/\/dinnews.in\/?p=12331","title":{"rendered":"Writing is a lonely and thankless job: Ritesh Shah"},"content":{"rendered":"<p><b>Mumbai, Jun 3 (DIN NEWS)<\/b> Writer Ritesh Shah says writing stories is a lonely and thankless vocation and finds it difficult to detach himself from the arduous process even in his sleep as he feels inspiration can strike any time.<\/p>\n<p>The 42-year-old scribe has been behind some of the biggest and critically-acclaimed films of recent times, including &#8220;Pink&#8221;, &#8220;Airlift&#8221;, &#8220;Kahaani&#8221; and the latest, &#8220;Raid&#8221; in various capacities &#8212; story writer, screenplay or dialogue writer.<\/p>\n<p>&#8220;Writing is lonely, difficult, thankless and damn hard. It&#8217;s not even sit-on-the-table process, it is lonely. Most of the times you are writing alone, the story can come to you at any place &#8211; in a bus, while you&#8217;re having a drink or in the washroom.<\/p>\n<p>&#8220;There is no escape from it. It troubles you in sleep also. Sometimes, you think you have solved it. Sometimes a scene comes, or the full film comes, and then you realise in the morning, it was all nonsense,&#8221; Shah told PTI in an interview.<\/p>\n<p>The scribe says he would be doing &#8220;disservice&#8221; if he glamourises writing.<\/p>\n<p>&#8220;It is a terrible job. It&#8217;s hard to write and very hard to write commercial Hindi films. It doesn&#8217;t come easily,&#8221; he says, who has a loyal listener to all his story ideas &#8211; Roger, his dog.<\/p>\n<p>Mainstream films have been Shah&#8217;s forte and he attributes his love for it to movies penned by veteran writer duo Salim-Javed, which fuelled his appetite in his growing up years and it ended up having the biggest influence on him.<\/p>\n<p>The writer, who penned commercially-viable films like &#8220;Namastey London&#8221; and &#8220;Force&#8221;, however, emphasises the skill is not easy as &#8220;there is a lot of pressure of pleasing&#8221;.<\/p>\n<p>&#8220;Forget the audience, first the actor has to be happy with it, then the technicians, the director, the producer, the finance-marketing people have to like it. So, how can you write something, which pleases you and the audience?&#8221; Shah says.<\/p>\n<p>Born in south Kashmir&#8217;s Anantnag and raised in Srinagar, the writer remembers his 15-year-old self living in the conflict-hit state. He recalls there was not only a threat to life but the education system was also in shambles.<\/p>\n<p>&#8220;The education got badly affected in the &#8217;90s and the middle-class Kashmiris went to different parts in the country to study,&#8221; says Shah, who migrated to Delhi in the summer of 1990.<\/p>\n<p>He pursued English Literature at the Hindu College and later opted to do mass communication from Jamia Milia Islamia.<\/p>\n<p>Filmmaker Imtiaz Ali and TV personality Roshan Abbas were his seniors and &#8220;Udta Punjab&#8221; director Abhishek Choubey was his junior.<\/p>\n<p>&#8220;There are two-three boys in every batch, either in Hindu or Jamia, who migrate to Mumbai. That&#8217;s a pattern,&#8221; he says.<\/p>\n<p>His calling to Mumbai happened somewhere around 1998 when he adapted Polish playwright Slawomir Mrozek&#8217;s play &#8220;The Police&#8221;, which a lot of people from the film fraternity saw and liked.<\/p>\n<p>An actor, who featured in the play &#8211; Shah swears he will never disclose his identity &#8211; asked him to move to the metropolis and told him that a film can be made on his adaptation.<\/p>\n<p>&#8220;I came to Mumbai with that script. I was able to make initial contact with him but after that he didn&#8217;t get back to me and I didn&#8217;t know what to do with my time. So, by chance I went for a TV meeting with a friend and happened to get a writing job,&#8221; he says.<\/p>\n<p>After working for six years in the TV industry, he landed his first writing job for films with Sujoy Ghosh&#8217;s &#8220;Home Delivery&#8221;, for which he would later pen the dialogues.<\/p>\n<p>Soon after, he bagged &#8220;Namastey London&#8221;. Nine years and several movies later, came the massive recognition in form of the National Award-winning film &#8220;Pink&#8221;.<\/p>\n<p>&#8220;There&#8217;s nothing that I desire to do as much as I wish to write. I am not tempted to produce or direct or choreograph. I love writing. I love my lines to be spoken on the screen or to be sure that now the audience will laugh or go quiet,&#8221; Shah says.<\/p>\n<p>Currently, the writer has his slate full &#8211; he has penned the upcoming Arjun Kapoor-Parineeti Chopra starrer &#8220;Namastey England&#8221;, Diljit Dosanjh&#8217;s &#8220;Arjun Patiala&#8221; and Nikkhil Advani&#8217;s &#8220;Batla House&#8221;.<\/p>\n<p>Shah says he has more to stories to tell and his stock is far from over.<\/p>\n<p>&#8220;I came to Mumbai for a week and have stayed here for 18-odd years. I am an extended guest in this city. I am supposed to go back but I haven&#8217;t yet,&#8221; he says.<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>Mumbai, Jun 3 (DIN NEWS) Writer Ritesh Shah says writing stories is a lonely and thankless vocation and finds it difficult to detach himself from the arduous process even in his sleep as he feels inspiration can strike any time. The 42-year-old scribe has been behind some of the biggest and critically-acclaimed films of recent times, including &#8220;Pink&#8221;, &#8220;Airlift&#8221;, &#8220;Kahaani&#8221; and the latest, &#8220;Raid&#8221; in various capacities &#8212; story writer, screenplay or dialogue writer. &#8220;Writing is lonely, difficult, thankless and damn hard. It&#8217;s not even sit-on-the-table process, it is lonely.&hellip;<\/p>\n","protected":false},"author":1,"featured_media":12334,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,4],"tags":[],"_links":{"self":[{"href":"https:\/\/dinnews.in\/index.php?rest_route=\/wp\/v2\/posts\/12331"}],"collection":[{"href":"https:\/\/dinnews.in\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dinnews.in\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dinnews.in\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dinnews.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12331"}],"version-history":[{"count":1,"href":"https:\/\/dinnews.in\/index.php?rest_route=\/wp\/v2\/posts\/12331\/revisions"}],"predecessor-version":[{"id":12335,"href":"https:\/\/dinnews.in\/index.php?rest_route=\/wp\/v2\/posts\/12331\/revisions\/12335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dinnews.in\/index.php?rest_route=\/wp\/v2\/media\/12334"}],"wp:attachment":[{"href":"https:\/\/dinnews.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dinnews.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dinnews.in\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}